Paul Hanrahan New Zealand, b. 1936

Works
  • Paul Hanrahan, Cathedral Gate, Canterbury, Kent
    Paul Hanrahan
    Cathedral Gate, Canterbury, Kent
    Watercolour
    30 x 40 cm
    Signed
  • Paul Hanrahan, Cornerstone, Marlborough
    Paul Hanrahan
    Cornerstone, Marlborough
    Watercolour
    28 x 41 cm
    Signed
  • Paul Hanrahan, Covent Garden Market
    Paul Hanrahan
    Covent Garden Market
    Watercolour
    26 x 37 cm
    Signed
  • Paul Hanrahan, High Street, Oxford
    Paul Hanrahan
    High Street, Oxford
    Watercolour
    36 x 49 cm
    Signed
  • Paul Hanrahan, Morning at Tower Bridge
    Paul Hanrahan
    Morning at Tower Bridge
    Watercolour
    30 x 40 cm
    Signed
  • Paul Hanrahan, Padding Up
    Paul Hanrahan
    Padding Up
    Watercolour
    28 x 39 cm
    Signed
  • Paul Hanrahan, Regent Corner, Worcester Street, Christchurch
    Paul Hanrahan
    Regent Corner, Worcester Street, Christchurch
    Watercolour
    48 x 37 cm
    Signed lower right
  • Paul Hanrahan, The White Dress
    Paul Hanrahan
    The White Dress
    Watercolour
    34.5 x 29 cm
    Signed
  • Paul Hanrahan, Towards Canterbury Cathedral, Kent
    Paul Hanrahan
    Towards Canterbury Cathedral, Kent
    Watercolour
    30 x 40 cm
    Signed
  • Paul Hanrahan, Trio at Bath Abbey
    Paul Hanrahan
    Trio at Bath Abbey
    Watercolour
    41 x 51 cm
    Signed
  • Paul Hanrahan, Woodpecker Hill, Parnell
    Paul Hanrahan
    Woodpecker Hill, Parnell
    Watercolour
    29.5 x 41 cm
    Signed
Biography

Paul Hanrahan’s keen observation of everyday life allows him to paint his animated subjects with confident impressionistic brushstrokes, full of flair.

 

Born in Christchurch, Hanrahan began his career as an advertising art director in Melbourne. Upon returning to Wellington in 1960, a brief but encouraging foray into watercolour painting resulted in three consecutive National Bank Awards.

For two decades his demanding career put his painting ambitions on the backburner. His first solo exhibition in 1983 and his invited participation at the International Watercolor Biennale in Mexico in 1996 sparked a keen following, but it was not until 1998 that Hanrahan emerged as a full-time professional artist, cementing his place in the world of watercolour both here and overseas.

 

It is rare to find a work by Hanrahan that does not involve people in some way, whether they are dining in a street café or watching from the sidelines of a sports match. With a quick and skilled brush he executes paintings that are energetic and modern.

 

It is fair to say that in Hanrahan’s work, importance lies in what is left out of the image as well as what is put in. Unlike oil painting the white of the ground is used to accentuate highlights and reflections in a scene.

 

Hanrahan states, “The whiteness of paper is important and I try and use only one wash where possible … this gives the work a luminosity.’