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Working on the Wharf Near Devonport
Oil on board
21.5 x 61.5 cm
Signed lower left
Framed -
Autumn in Queenstown
Oil on board
16 x 37 cm
Signed
Framed -
Lion Rock and Piha
Oil on board
85 x 100 cm
Signed -
8:30 6th Feb 20
Oil on board
25 x 50 cm
Signed lower left -
6th Feb 20 11:55am
Oil on board
25 x 50 cm
Signed lower right -
Day 5 10:25am
Oil on board
25 x 50 cm
Signed lower left -
8th Feb 20
Oil on board
25 x 50 cm
Signed lower left -
9th Feb 20, 3:17pm
Oil on board
33 x 35 cm
Signed lower left -
7th Feb 20, 8:34am
Oil on board
33 x 35 cm
Signed lower right -
7:55am 6th Feb 20
Oil on board
33 x 35 cm
Signed lower right -
Ice Flow Antarctica
Oil on board
33 x 35 cm
Signed lower left -
Pleneau Island, Antarctica 8th Feb. 2020 2:07 pm. 65°10’S, 64°05’W
Oil on board
35 x 34 cm
Signed -
Prospect Point, Antarctica 7 th Feb. 2020 11:26 am. 66°00’S, 65°20’W
Oil on board
34 x 35 cm
Signed -
Cuverville Island, Antarctica 9 th Feb 2020. 64°68’S, 62°62’W
Oil on board
122 x 119 cm
Signed
Framed -
Mt Cook and the Tasman Valley
Oil on board
60 x 101 cm
Signed
Framed -
Glacial Valley and Mount Cook
Oil on board
76 x 50 cm
Signed
Framed -
Afternoon Light, Black Rock, Takapuna
Oil on board
32 x 68 cm
Signed lower right
Framed -
Across the Harbour to Devonport
Oil on board
12 x 29.5 cm
Signed
Framed -
Afternoon Light, Glenorchy
Oil on board
38.1 x 89 cm
Signed
Framed -
The Windswept Beach, Piha
Oil on board
70 x 120 cm
Signed
Framed -
Auckland City from Devonport Wharf
Oil on board
13 x 30 cm
Signed
Framed -
Afternoon Shadows, Queenstown
Oil on board
18 x 57 cm
Signed
Framed -
Foreshores of Lake Okareka
Oil on board
31 x 68 cm
Signed
Framed -
On the Beach, Piha
Oil on board
90 x 120 cm
Signed
Framed
Ken Knight
Ken Knight
Ken Knight
Australian (b.1956)
Ken Knight was born in Sydney in 1956. He is one of Australia’s leading plein-air painters and as such he follows a rich lineage of Australia’s famous impressionists including Arthur Streeton and Tom Roberts. His iconic landscapes are inspired by the azure blue of Sydney harbour, the sweeping drama of the Kakadu, the frosty grandeur of the Snowy Mountains and the vast open stretches of land and sea that surround him.
“My paintings are all about simplifying the landscape,” he says. “I don’t like to tell the whole story, otherwise it loses its mystery. By reducing the landscape and abstracting elements from it, I enable the viewers to make an interpretation of the image for themselves.”
Knight concedes his work is in the style of the Heidelberg School of which Streeton was a leading member. He spends approximately four months of the year travelling, sketching and painting as he goes. Several sketches are often made of a scene before the final work is executed; a process he says is essential in “freeing up” the work.
The controlled exaggeration of colour in the landscape is fundamentally important to his technique. Heavy impasto applied with a palette knife and energetic brushwork creates a painting that offers something a little different each time it is viewed.
After each expedition he takes the paintings back to his studio, where he evaluates and appraises them, often making subtle changes to improve the structure of the finished painting.
Over the years Knight has travelled and painted extensively around New Zealand. He is especially inspired by the West Coast of the North Island for its “primeval grandeur” and the majestic mountains in the South Island.
Knight has been awarded the Windsor and Newton Australian Art Award, 1994 and the Royal Arts Society Spring Exhibition, 1998, among many other awards. In February 2003 Ken’s first London exhibition was held at W H Patterson Gallery in Albermarle Street, Mayfair. His most recent London exhibition was at Tryon Gallery.
Knight’s work has been purchased for numerous private and public collections in Australia, England, Italy, America, Mexico, South Africa and Europe, including those of the Castlemaine Regional Art Gallery and Historical Museum, IBM, The Commonwealth Bank, Johnson & Johnson, Parliament House in Brisbane, The Royal Grocers Hall, London and the collection of The Archbishop of New York.