Shen Ming Cun China, b. 1956

Works
  • Shen Ming Cun, A Girl of the Miao Tribe
    Shen Ming Cun
    A Girl of the Miao Tribe
    Oil on canvas
    60 x 50 cm
    Signed
  • Shen Ming Cun, Still Life, Drying the Corn
    Shen Ming Cun
    Still Life, Drying the Corn
    Oil on canvas
    50 x 60 cm
    Signed
  • Shen Ming Cun, Elegant Miao Girl in Silver Headdress
    Shen Ming Cun
    Elegant Miao Girl in Silver Headdress
    Oil on canvas
    60 x 50 cm
    Signed
  • Shen Ming Cun, Piper Girl, Miao Tribe
    Shen Ming Cun
    Piper Girl, Miao Tribe
    Oil on canvas
    80 x 66 cm
    Signed
  • Shen Ming Cun, Mother and Child, Miao Tribe
    Shen Ming Cun
    Mother and Child, Miao Tribe
    Oil on canvas
    98 x 88 cm
    Signed
  • Shen Ming Cun, A Miao Girl in Silver Headress
    Shen Ming Cun
    A Miao Girl in Silver Headress
    Oil on canvas
    100 x 70 cm
    Signed
  • Shen Ming Cun, Dong Minstrels
    Shen Ming Cun
    Dong Minstrels
    Oil on canvas
    90 x 109 cm
    Signed
  • Shen Ming Cun, Huang Yoa Lan, Girl of the Dong Tribe
    Shen Ming Cun
    Huang Yoa Lan, Girl of the Dong Tribe
    Oil on canvas
    67 x 56 cm
    Signed
  • Shen Ming Cun, Miao Girls
    Shen Ming Cun
    Miao Girls
    Oil on canvas
    100 x 80 cm
    Signed
  • Shen Ming Cun, Anticipation, Sisters of Miao Tribe
    Shen Ming Cun
    Anticipation, Sisters of Miao Tribe
    Oil on canvas
    67 x 65 cm
    Signed
  • Shen Ming Cun, Peeling Peanuts, Yao Tribe
    Shen Ming Cun
    Peeling Peanuts, Yao Tribe
    Oil on canvas
    79 x 100 cm
    Signed
  • Shen Ming Cun, Yao Girl in Floral Headress
    Shen Ming Cun
    Yao Girl in Floral Headress
    Oil on canvas
    70 x 60 cm
    Signed
Biography

Born in 1956, Professor Shen Ming Cun studied art at the University Art College of Guang Xi, China. Today he is senior oil painting teaching and research director and professor at Guang Xi Arts Institute, specialising in European classical painting. His paintings have come to focus on capturing, distilling and representing the unique traditions, costume and heritage of the minority tribes of Southern China. The affinity and respect that Cun has for these tribal people is clear in his works, which possess a lyrical beauty, dignity and grace. His paintings have been likened to visual poetry in their ability to communicate to the viewer a range of emotions and to draw the spectator into their worlds.

 

Cun captures the chromatic vibrancy of the costumes and ornate silver jewellery with a lightness and confidence that has undoubtedly led to his success. The intricate detailing of individual tribal members, their hand-made clothing, silver embellishments, earthenware and interior surroundings provides an element of the ethnographic in an attempt to preserve in paint the realities of these minority peoples. Their adornments are veritable symbols of the wealth, religion, ritual and national consciousness that shape their lives. The intimate moments that he often portrays provide an atmosphere of invitation and intrigue for the viewer. Cun credits the way in which these tribes live, their attitudes, culture and history as being the fundamental inspiration for his art.

I have spent a long time researching the richly colourful cultural heritage of the Yao and Miao nationalities and the Dong minority of Southern China. Over the years I have lived amongst them and become friends with these beautiful people whom radiate pure goodness and a simple love of life. Cultivating their ancestor’s achievements, they turn life into immortal art.”

Cun has been recognised with many national awards, and his work has been met with international acclaim and features in many private collections worldwide. He has exhibited in London, Hong Kong, China and Singapore and has also taken part in several important national exhibitions in Beijing and Hong Kong.

Exhibitions